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Melanie Francesca: From Artistic Mastery to Philosophical Poise

Melanie Francesca: From Artistic Mastery to Philosophical Poise
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Melanie Francesca is an established artist whose work has earned recognition both in Europe and the Middle East. Notably, her major exhibition of ‘The Box’ in Dubai, held under H.H. Nahayan Bin Mubarak Al Nahayan, brought her praise. “In an age characterized by technological advancements” says the minister, “Melanie’s art brings a fresh concept, offering viewers a theme of freedom, hope, and modernity through her extraordinary mastery of form and technique.”

Melanie’s Imaginative Journey

Over the years, Melanie has exhibited her artwork throughout Europe and the Middle East, showing her status as a prominent figure in the art scene. One of the most noteworthy highlights of her career was the installation ‘The Box’ in Dubai. This striking installation, constructed from fabric and metal, was an imposing structure weighing 400 kilograms and measuring three by three meters with a height of 2.5 meters. ‘The Box’ was more than just a physical construct; it served as a cordial invitation to visitors, welcoming them to explore the archives of humanity’s history.

What makes Melanie’s art so compelling is her blend of classical mythology with contemporary perspectives. ‘The Box,’ for instance, connects ancient narratives with the present day. Through her work, Melanie offers viewers a chance to explore the richness of human existence, where myth and reality meet. Her approach to art reflects a desire to revive philosophical dignity in an age where figurative expression is overlooked.

The Message

The resonance of Melanie’s artwork extends beyond its visual aesthetics. It is exemplified in the sentiments of H.H. Nahayan Bin Mubarak Al Nahayan, who captured the essence of her talent. He praised Melanie’s skill, wherein she seamlessly combined mastery with a form of prayer directed towards the universe, the perfection of nature, and the grandeur of the human experience.

The words of Maria Rita Parsi further uplift Melanie’s vision. Parsi’s description of Melanie as “an author capable of making the imagination gallop a thousand, without borders” highlights Melanie’s creative nature. Her work inspires individuals to free their minds and go toward the spaces of the soul, exceeding the limitations of everyday existence. 

“We are miracle factories just get out of the prison of the ego and the mind,” says Melanie Francesca, “This is why when one creates, and everyone can reach this dimension of creation, one leaves the mind and philosophy, and one stops thinking. We think of colors, we think of sounds, we think of vibrations but in a different way from the mind. Rather than thinking, we begin to feel. The brain of the heart is more powerful than the mind, and this is the key not only to the artistic process but to intuition in general, such as the scientific one when the genius makes a discovery that overturns every known concept of the universe such as quantum theory for example, or an archaeological intuition that will upset all past vision of history. I am convinced that true knowledge resides in intuition, and humans are increasingly approaching this way of feeling, shamanic instead of rational. We are in a new world.”

Melanie Francesca: From Artistic Mastery to Philosophical Poise

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Art in the Eyes of Experts

Melanie’s art has earned accolades from the public as well as from the experts in the field. Vittorio Sgarbi, a renowned art historian and the Undersecretary of State at the Ministry of Culture, shares a unique perspective on Melanie’s work. He draws parallels between her poetic language and the sacred texts, prophets, and even the Divine Comedy. Sgarbi further evokes the spirit of poets like Rimbaud and Baudelaire, suggesting that Melanie’s work continues the tradition of modern lyric poetry. He notes that even if not everything in her art is readily understood, it leaves a deep impression, emphasizing the importance of the solemn and cryptic in her creations, which greatly connect within the viewer.

Stefano Zecchi, a philosopher and professor, also added his voice to the praise. He commended Melanie’s command over language and linguistic structure, describing her work as “very beautiful” in terms of literature. His words show the depth and complexity of Melanie’s artistic work, emphasizing the richness of her narrative and storytelling.

From these insights from experts, it’s evident that Melanie goes beyond aesthetic appreciation. Her work challenges viewers to engage with it on different levels. Her ability to combine elements of literature, symbolism, and historical context makes her a notable figure in the art world.

Melanie Francesca: From Artistic Mastery to Philosophical Poise

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The Novel “The Angel”

Melanie’s artistic timeline extends beyond visual art and explores the world of literature with her published novel, “The Angel.” This literary work represents a natural progression in her diverse themes. It serves as a continuation of her quest to rise above the disturbing noise of daily life and find meaning in the space of the soul and love.

“The Angel” is a significant addition to Melanie Francesca’s work, demonstrating her versatility as an artist. It offers readers a glimpse into her creative mind, revealing a narrative that, much like her visual art, delves into the lands of the truth, beauty, and the sacred. This novel, which has been published in English by Europa Books, reflects Melanie’s hard work – providing a space for introspection and contemplation in a fast-paced world.

In many ways, “The Angel” shares the essence of Melanie Francesca’s artistic vision. It welcomes readers to rise above the noise and distractions of modern life, encouraging them to explore the deeper dimensions of existence and pure nature. By venturing into the orderly space of the soul and love, Melanie’s novel offers a thought-provoking experience, inviting readers to begin a journey of self-discovery and reflection, much like her visual art has done for her audience over the years.

“The Angel is one of my favorite books,” says the writer. “It has a touching ending. The end is not an end but a beginning. It’s a dramatic book trying to help those like Dixi who feel betrayed not only by a man but also by life. Repeatedly. Alan is her angel, and he is there to help her for the same reasons that make him so close to his beloved. He, too, as a male, had the same experiences. So, in the book, there are all points of view, even of the boyfriend who makes her suffer and is a prisoner of the same karma. Because there are no victims or hunters, says the angel, being betrayed or betrayed is equal from the point of view of the afterlife. It is in these paradoxes that the strangeness, the out-of-line, the point of view that is not the human one is revealed. How can one say that the traitor is equal to his victim, the betrayed? Yet there is a logic that explains itself in the pages. The problem lies in the fact that the perpetrator and victim try to understand that they both have the same wound, which makes them act in one direction or another. They are two sides of the same coin. We need to go beyond matter and the ego to be able to see ourselves and the other with the eye of the soul and, therefore, get out of earthly duality. As long as we are in duality, we suffer. We belong to the karmic dimension of the victim and the hunter. But if you enter the space of the soul, which is in the famous presence that is talked about so much nowadays, you get out of this cannibalistic circuit. You get out of the famous karma.

In the space of the soul and spirit, there is peace. You see that the other attacks you, and instead of getting angry, you pity him because you see the suffering from which he is corroded, and you enter the space of compassion. This doesn’t mean having mercy on others in the traditional sense, but having the awareness that whoever is in front of you offends you because they suffer, and this has nothing to do with you. It’s his problem, and since he doesn’t accept your help, you don’t stand close to suffering his bullying to lighten him, but you leave, aware that the first to be loved by you must be you in order not to succumb, not to remain a victim. This transition from being perpetrator to victim is called awareness. And when you are in awareness, no one can really hurt you anymore because whatever happens, you are at peace. In the space of the soul. And then miracles happen.”

Melanie Francesca: From Artistic Mastery to Philosophical Poise

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Melanie has grown as a versatile artist whose creative journey has left an unforgettable mark on the world of contemporary art and literature. From her early beginnings to her renowned exhibitions across Europe and the Middle East, Melanie’s artistic work has earned recognition. Melanie’s journey as an artist and author stands as an inspiration, enriching the cultural world with her thought-provoking and transformative creations.

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