“Post Truth”: A Film Born in the Shadow of a New Reality
By: Jason Phillips
It may have been created with the help of artificial intelligence, but it’s far from being untouched by human hands.
Developed over 15 months, Post Truth is more than a film project. It is a bold exploration at the intersection of art, philosophy, and technology. Every visual, sound, and musical layer was generated through AI-driven systems. Yet, the production was not automated. It followed a highly curated and deeply human creative process.
Under the artistic direction of filmmaker Alkan Avcıoğlu, more than 15 artificial tools were used to generate the videos, music, and voice, not as the creative force, but as instruments. The real vision stemmed from an idea that had been evolving in the artist’s mind for years. The process included advanced generative techniques such as text-to-image, image-to-video, and tile-based upscaling. More than 200,000 seconds of content were created, a production volume far beyond traditional filmmaking norms.
Still, this is not a film “made” by AI. For Avcıoğlu, AI served as a means to realize ideas rooted in the past and visions shaped by the future. The script was co-written with his wife, internationally recognized AI artist Vikki Bardot. It took more than two years and over ten drafts to shape. Inspirations ranged from the large-scale cinematic language of Godfrey Reggio to the archival essay styles of Adam Curtis and Chris Marker.
Distributed by Başka Sinema, Post Truth will be the first AI-generated film in the world to have a wide theatrical release.
The music was equally experimental. Dominated by electronic ambient tones, the soundtrack delivers a deliberately dissonant atmosphere. Some of the compositions came from pieces Avcıoğlu had created over two decades ago using early digital tools. His background as a DJ shaped how sound and visuals interact in the film.
Ethical Lines and Creative Challenges
Post Truth avoids using shock imagery or exploitative visuals. Copyrighted materials were excluded by choice. This wasn’t just a technical effort but a conscious narrative built with ethical boundaries.
There were significant creative challenges in one scene inspired by Tarkovsky’s Stalker; the director generated over a thousand variations to find the right visual tone. The process demonstrated both the power and the trap of generative tools. With endless tweaking always possible, perfection becomes a moving target. As David Fincher put it, “Movies aren’t finished. They’re abandoned.”
Dissecting the New Real
This film is not just about tools. It’s about how we perceive truth and reality.
Built on Jean Baudrillard’s idea of hyperreality, Post Truth suggests that what we now call “real” is merely a simulation, shaped by algorithms and filtered through screens. The intellectual influences behind the film span a broad spectrum—from Zygmunt Bauman and Byung-Chul Han to James Bridle, J.G. Ballard, and Slavoj Žižek.
Avcıoğlu sees reality today not as a shared constant but as a fractured, performative construct. The authentic has become invisible. The fake has become easier to believe.
Rather than making definitive statements, Post Truth creates space for reflection. It presents an open-ended experience that encourages viewers to question their assumptions and confront conflicting narratives. It’s not a closed story. It’s a living wound, mirroring a world that diagnoses endlessly but no longer prescribes solutions.
A Place for the Independent Mind
Are film festivals ready for this kind of cinema?
AI-generated shorts are increasingly appearing, though full-length projects remain relatively uncommon. Responses to these works are mixed—some people approach them with skepticism, often influenced by media coverage and sensational headlines, while others, particularly within institutional and art-house communities, express a growing curiosity. A film like Post Truth, with its thoughtful cinematic style and conceptual layers, helps to open a dialogue between these different perspectives.
The rollout will start locally, with plans for international festivals and digital platforms soon after. There is already strong interest from several festivals and distributors, suggesting that the content and the method stand out in a crowded landscape.
A Call to the New Generation of Artists

Photo Courtesy: Alkan Avcıoğlu
Post Truth also sends a message to independent creators: AI doesn’t belong to the studios alone. These tools open doors for artists who want to expand their vision and challenge the limits of form.
Just as the camera reshaped painting and the synthesizer changed music, AI has the potential to redefine art, not just through aesthetics but by questioning how art is even made.
As Avcıoğlu puts it:
“Storytelling needs a new language now. Not just a new theme or style, but a deeper shift. AI allows us to invent a new grammar, a new kind of narrative.”
You can watch the official trailer here: Post Truth – Official Trailer